From the Rosenkavalier trio and the Rigoletto quartet to the Meistersinger quintet and the Lucia sextet, some of the most memorable moments in opera occur when several characters are singing about their feelings at the same time. We will use these ensembles as a jumping-off point to learn about a number of Italian, French, German and other operas. Each week there will be YouTube listening/viewing assignments –

sometimes just the ensembles themselves, sometimes the entire scene or act in which they appear. Presenters will place each excerpt in context and also fill us in on further aspects of the opera.

No musical knowledge or prior experience with opera is necessary.

Format: Weekly listening/watching assignments. Each participant will be asked to present one of the operas, following guidelines in the syllabus. Among the possible topics to be covered are: the genesis of the opera, its literary sources, collaboration between composer and librettist, problems with censorship, theater managers, singers, public and critical reception, post-premiere revisions, etc.

Resources/Expenses: Nothing to buy. Texts and translations will be provided. Internet access is required.